翻訳と辞書
Words near each other
・ GES Kantrila
・ Gesa Ederberg
・ Gesa Felicitas Krause
・ Gesa Hansen
・ Gesa Stadium
・ Gesaffelstein
・ Gesaku
・ Gesalec
・ Gesamtausgabe
・ Gesamtbedeutung
・ Gesamtkatalog der Wiegendrucke
・ Gesamtkunstwerk
・ Gesamtschule am Gluckenstein
・ Gesamtschule Berger Feld
・ Gesang (village)
Gesang der Jünglinge
・ Gesang der Parzen
・ Gesang Martohartono
・ Gesangsszene
・ Gesarling Gewog
・ GeSbTe
・ Gesca
・ Gescha Toys
・ Gesche Gottfried
・ Gesche Joost
・ Gesche Schünemann
・ Geschendorf
・ Geschenk des Augenblicks – Gift of the Moment
・ Gescher
・ Geschichte des osmanischen Reiches


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Gesang der Jünglinge : ウィキペディア英語版
Gesang der Jünglinge

''Gesang der Jünglinge'' (literally "Song of the Youths") is a noted electronic music work by Karlheinz Stockhausen. It was realized in 1955–56 at the ''Westdeutscher Rundfunk'' studio in Cologne and is Work Number 8 in the composer's catalog of works. The vocal parts were supplied by 12-year-old Josef Protschka.
The work, routinely described as "the first masterpiece of electronic music" (; ) and "an opus, in the most emphatic sense of the term" , is significant in that it seamlessly integrates electronic sounds with the human voice by means of matching voice resonances with pitch and creating sounds of phonemes electronically. In this way, for the first time ever it successfully brought together the two opposing worlds of the purely electronically generated German ''elektronische Musik'' and the French ''Musique Concrète'', which transforms recordings of acoustical events. ''Gesang der Jünglinge'' is also noted for its early use of spatiality; it was originally in five-channel sound, which was later reduced to just four channels (mixed to monaural and later to stereo for commercial recording release).
==History==
In the Autumn of 1954, Stockhausen conceived the idea of composing a mass for electronic sounds and voices. According to his official biographer, Stockhausen regarded this mass as a sacred work written from personal conviction, and asked his mentor, the director of the WDR electronic studio Herbert Eimert, to write to the Cologne archbishop's Diocesan office for permission to have the work performed in the Cologne Cathedral. Stockhausen was bitterly disappointed when the request was refused on grounds that loudspeakers had no place in church . Although there is no doubt about Stockhausen's ambition to create an electronic mass, nor that he was frustrated by the lack of assurance that a suitable sacred venue or worship service would be sanctioned by the church, it is equally certain that "he never made an official request to the General Vicariate of the Archdiocese of Cologne and, therefore, never could have received an official response from them, whatever the result might have been". Furthermore, there is no evidence at all that Eimert, who was a Protestant, ever broached the subject even informally with Johannes Overath, the responsible official in the Cologne archdiocese at the time (as well as a member of the Broadcasting Council from 2 March 1955), so that the version of the story presented by Kurtz cannot be sustained on the basis of contemporary records .

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Gesang der Jünglinge」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.